[214][215] His next film, Secret Superstar (2017, starring Zaira Wasim), broke Dangal's record for the highest-grossing opening weekend by an Indian film and cemented Khan's status[216] as "a king of the Chinese box office";[217] Secret Superstar was China's highest-grossing foreign film of 2018 to date.

Awaara presented the city as both nightmare and dream, and Pyaasa critiqued the unreality of urban life.[43]. Indian movies have influenced Hausa clothing, songs have been covered by Hausa singers, and stories have influenced Nigerian novelists. Bootleg copies are the only way people in Pakistan can watch Bollywood movies, since the Pakistani government has banned their sale, distribution and telecast. Bollywood has progressed in Israel since the early 2000s, with channels dedicated to Indian films on cable television;[246] MBC Bollywood and Zee Aflam show Hindi movies and serials. [73] After the success of Bruce Lee films (such as Enter the Dragon) in India,[116] Deewaar (1975) and other Bollywood films incorporated fight scenes inspired by 1970s martial arts films from Hong Kong cinema until the 1990s. [69] Salim-Javed and Bachchan's films dealt with urban poverty, corruption and organised crime;[70] they were perceived by audiences as anti-establishment, often with an "angry young man" protagonist presented as a vigilante or anti-hero[71] whose suppressed rage voiced the anguish of the urban poor. There have been exceptions, however, and the hit film Rang De Basanti starred the English Alice Patten. [79] Key to this was the masala film, which combines a number of genres (action, comedy, romance, drama, melodrama, and musical). Refine the search results by specifying the number of letters. However, colour did not become a popular feature until the late 1950s. Bollywood producers have been releasing a film's soundtrack (as tapes or CDs) before the film's release, hoping that the music will attract audiences; a soundtrack is often more popular than its film. Several Hindi films have been commercially successful in Japan, including Mehboob Khan's Aan (1952, starring Dilip Kumar) and Aziz Mirza's Raju Ban Gaya Gentleman (1992, starring Shah Rukh Khan). [3][7][8], In 2017, Indian cinema produced 1,986 feature films, with Bollywood as its largest filmmaker, producing 364 Hindi films the same year. Audiences may not have been aware of plagiarism, since many in India were unfamiliar with foreign films and music. Films are frequently broadcast without compensation by small cable-TV companies in India and other parts of South Asia. [264], The first Indian film to be released in the Western world and receive mainstream attention was Aan (1952), directed by Mehboob Khan and starring Dilip Kumar and Nimmi. We found more than 1 answers for Bollywood's Country. The most recognised Indian actor in Germany is Shah Rukh Khan, who has had box-office success in the country with films such as Don 2 (2011)[243] and Om Shanti Om (2007). The masala film was pioneered early in the decade by filmmaker Nasir Hussain,[21] and the Salim-Javed screenwriting duo,[79] pioneering the Bollywood-blockbuster format. [37] Another centre of Hindustani film production was the Bengali film industry in Calcutta, Bengal Presidency (now Kolkata, West Bengal), which produced Hindustani films and local Bengali language films.[38][39]. Parallel cinema films, in and outside Bollywood, tended to be less popular at the box office. [142] Bollywood plays a major role, however, in Indian fashion. [281][282] Several popular examples include Viju Shah's hit song "Tu Cheez Badi Hai Mast Mast" in Mohra (1994) being plagiarised from Khan's popular Qawwali song "Dam Mast Qalandar",[281] "Mera Piya Ghar Aya" used in Yaarana (1995), and "Sanoo Ek Pal Chain Na Aaye" in Judaai (1997). Lagaan (2001) was filmed with sync sound,[152] and several Bollywood films have recorded on-location sound since then. [70][71] Their "angry young man", personified by Amitabh Bachchan,[71] reinterpreted Dilip Kumar's performance in Gunga Jumna in a contemporary urban context[65][68] and anguished urban poor. Salim-Javed wrote in Urdu script, which was then transcribed by an assistant into Devanagari script so Hindi readers could read the Urdu dialogues. Crossword Clue, Activity Done In Heated Beds Crossword Clue, 'Which Came First?' [168] Finances are not regulated; some funding comes from illegitimate sources such as the Mumbai underworld, which is known to influence several prominent film personalities. [224] Indian filmmakers, attracted to Australia's diverse locations and landscapes, initially used the country as a setting for song-and-dance scenes;[224] however, Australian locations now figure in Bollywood film plots. The Bengali film industry, based in Tollygunge, Calcutta, was referred to as "Tollywood" in a 1932 American Cinematographer article. Bollywood fashion trendsetters have included Madhubala in Mughal-e-Azam (1960) and Madhuri Dixit in Hum Aapke Hain Koun..! [100] Yash Raj Films, one of India's largest production houses and distributors, reported in September 2005 that Bollywood films in the United States earned about $100 million per year in theatre screenings, video sales and the sale of movie soundtracks;[100] Indian films earn more money in the United States than films from any other non-English speaking country. The name "Bollywood" was coined during the 1970s,[26][27] when the conventions of commercial Bollywood films were defined. While immersing in Bollywood films, viewers get to see their local experiences duplicated in different locations around the world. [170] Most of the large, ubiquitous billboards in India's major cities are now created with computer-printed vinyl. [9][10][11] In 2001 ticket sales, Indian cinema (including Bollywood) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. It was usually created (or re-created) in the studio,[152] with the actors speaking their lines in the studio and sound effects added later; this created synchronisation problems. Recent Bollywood films, like Krrish (2006), have employed international technicians such as Hong Kong-based action choreographer Tony Ching. [citation needed] Organisations such as the India EU Film Initiative seek to foster a community between filmmakers and industry professionals in India and the European Union.
It may externalise a character's thoughts, or presage an event in the film (such as two characters falling in love).
[15] Most of the classic scriptwriters of what is known as Hindi cinema, including Salim–Javed, Gulzar, Rajinder Singh Bedi, Inder Raj Anand, Rahi Masoom Raza and Wajahat Mirza, primarily wrote in Urdu. This phenomenon has been compared to the pairs of American composers and songwriters who created classic Broadway musicals. [276] Some filmmakers see plagiarism in Bollywood as an integral part of globalisation, with which Western (particularly American) culture is embedding itself into Indian culture. Can new money create a world-class film industry in India? Although it is opposed by nationalists and representatives of Pakistan's small film industry, it is embraced by cinema owners who are making a profit after years of low receipts. [16][113] Javed Akhtar was also greatly influenced by Urdu novels by Pakistani author Ibn-e-Safi, such as the Jasoosi Dunya and Imran series of detective novels;[114] they inspired, for example, famous Bollywood characters such as Gabbar Singh in Sholay (1975) and Mogambo in Mr. India (1987). Bollywood, however, seems to be diminishing in popularity in Africa. We found 1 solutions for Bollywood's Country. [201], Dr. Kotnis Ki Amar Kahani, Awaara, and Do Bigha Zamin were successful in China during the 1940s and 1950s, and remain popular with their original audience. "[283], Bollywood soundtracks also plagiarised Guinean singer Mory Kanté, particularly his 1987 album Akwaba Beach. [261] The emergence of Nollywood (West Africa's film industry) has also contributed to the declining popularity of Bollywood films, as sexualised Indian films became more like American films. The increasing accessibility of professional action and special effects, coupled with rising film budgets, have seen an increase in action and science-fiction films. The industry is related to Cinema of South India and other Indian film industries, making up Indian Cinema—the world's largest by number of feature films produced. and imported Indian films are usually subtitled in Arabic when they are released. The films explored social themes, primarily dealing with working-class life in India (particularly urban life) in the first two examples. A majority of the film was shot at Belarusfilm studios, in Minsk. The term is a portmanteau of "Bombay" and "Hollywood". Songs typically comment on the action taking place in the film. In 2002, Bollywood sold 3.6 billion tickets and had a total revenue (including theatre tickets, DVDs and television) of $1.3 billion; Hollywood films sold 2.6 billion tickets, and had a total revenue of $51 billion. India (2007), and Singh Is Kinng (2008). Bolly 92.3 - San Jose, CA - Listen to free internet radio, news, sports, music, and podcasts. A number of journalists have been credited by newspapers with coining the word. [160] Older dancers include Helen[161] (known for her cabaret numbers), Madhubala, Vyjanthimala, Padmini, Hema Malini, Mumtaz, Cuckoo Moray,[162] Parveen Babi[163] , Waheeda Rahman,[164] Meena Kumari,[165] and Shammi Kapoor.[166]. By 1986, India's annual film output had increased from 741 films produced annually to 833 films annually, making India the world's largest film producer. Although the films were often not praised by critics, they were commercially successful. Within Muslim culture, Indian movies were said to show "respect" toward women; Hollywood movies were seen as having "no shame". [65] They began the genre of gritty, violent, Bombay underworld crime films early in the decade with films such as Zanjeer (1973) and Deewaar (1975). Indian audiences expect value for money, and a good film is generally referred to as paisa vasool, (literally "money's worth"). Below are all possible answers to this clue ordered by its rank. The devotional classic Jai Santoshi Ma was also released that year.[83]. Aditi Rao Hydari on Bollywood's raging insider versus outsider debate. [98] The films featured actors whose performances were often praised by critics.