Literary Theory. We require majors in either track to have some experience in both areas. were figurative and literal declarations of independence that simultaneously question the Declaration›s principles and ideology and affirm its transcendent meanings in the writers’ discourses on Slavery, Black humanity and selfhood, race, the American Dream, etc. Permission of the instructor required. Can one "read" a person like a book? A workshop for students ready to find their voices in a genre that claims to tell the truth without making it up. Other performances try to reconstruct the conditions of “the Shakespearean stage,” with hose, doublets, and saucy wenches. Mueller, 265. Abravanel, 257. As Jonathan Culler states, “Theory offers not a set of solutions but the prospect of further thought. We will read, discuss, and write about arguably important short stories, most published within the past 25 years, in an attempt to explore some of the predominant concerns and formal innovations of today’s short story writers.

Texts include: Mark Twain’s The Adventures of Huckleberry Finn; Louisa May Alcott’s Little Women; Sylvia Plath’s The Bell Jar; John Knowles’ A Separate Peace; Suzanne Collins’ The Hunger Games and Peter Cameron’s Someday This Pain Will Be Useful to You. Writing Courses (Creative Writing Courses), Non-discrimination, equal employment, and accessibility notices. 60% Upvoted. Hartman, 233. What are some of the ways that works of literature engage us, and in turn how can we learn to engage in various ways with literary texts: their words on the page, their imagined communities, their invented characters?

(H)

Epic and Romance. We will take as our subject the Renaissance humanist and try to figure out just who this character was … and how s/he was figured in the literary and dramatic texts of William Shakespeare, Edmund Spenser, and John Donne as well as Thomas More, John Milton, and Queen Elizabeth I herself.

best. The study of English is not just good preparation for a career, however. If you are involved in teaching creative writing courses to students at the bachelors degree in creative writing level, please take a moment to anonymously submit your information to help us build a valuable database resource for the benefit of current and future faculty in the field of creative writing in Marshall. Students are urged to consult with departmental advisers about appropriate courses within the department and in related fields. Jaros, 461. Completion of ENG226 and a 300-level ENG literature course is recommended. Writing Nonfiction. Since we cannot separate language or literature from their cultural and intellectual contexts, the literature component of the English major at Franklin & Marshall offers a substantial historical base, with core courses on topics in the traditional periods of British and American literature. We will examine Morrison’s oeuvre in both fiction and criticism, and explore how her aesthetics and vision, and her analyses of them, are informed by historical contexts and their racial, sexual, gendered, class, etc. Seminars, to which students are admitted only by permission of the instructor, are limited to enrollments of no more than 15 students. (Post-1800) From the sex comedies of the Restoration to the satires of Jonathan Swift, the treatises of Mary Astell, the novels of Daniel Defoe and Frances Burney, the neoclassical poetry of Alexander Pope and the lyric poetry of Thomas Gray, literature of the eighteenth century engages in debates about gender, slavery, social class, human nature and our place in the cosmos. Readings will include comic strips and comic books from 1900 to the present, Maus I and II, Watchmen, Fun Home, Jimmy Corrigan, It’s a Bird, Black Hole, and other comics. They also have opportunities for involvement in a range of extra-curricular activities: attending readings by and meeting numerous visiting writers, participating in events at the Writers House, helping to plan the Emerging Writers Festival, or writing for or staffing one of the College’s literary publications. Anderson, 480. Meets creative writing English major requirement. Same as ENE 260. Where does its creative dimension take shape?

(H) In this course, we will examine texts ranging from popular science to science fiction, by scientists and nonscientists alike. The experience of an Earth nowhere untouched by humans finds expression in all genres of literature and generates unfamiliar and compelling new ways of conceiving our species and our world. Ralph Waldo Emerson, Henry David Thoreau, and Frederick Douglass aren’t usually considered “nobodies.” Yet along with other American writers of the early nineteenth century, they experimented with, as Emily Dickinson puts it, being nobody. (H)

(H) (H) Introduction to Creative Writing. Or are we at the mercy of forces like biology, economics, and technology?

Literature majors also take at least one course in creative writing. English 382 is an intermediate poetry workshop focused on generating and analyzing student work with the intention of fostering creative experimentation and bettering craft.

(H) English majors are highly valued for their abilities to think and write. Students will be expected to revise and tighten individual poems or stories, to shape their theses and to understand the aesthetic choices they are making. Economics (B.A) 2 years ago. Some writers and scholars question the identity of a region of so many diverse languages, races, ethnicities, religions, and nations. Same as AFS/AMS/WGS 256. What is Caribbean literature? (Post-1800)  The creative writing major is a gateway to a lifelong love and appreciation of words. In what ways did these narratives affirm and/or challenge societal rules? This course draws on the diverse body of writing that stretches from Euro-American contact to the early years of the United States. ENG 204 covers British literature in the 19th century; ENG 207 covers American Literature from the founding of the Republic to the Civil War; ENG 208 extends from the Civil War through World War II. Students who choose a concentration in creative writing practice the craft of writing poetry, fiction and nonfiction in workshop settings where writing is valued as a serious art form. Goldberg, 208. This course will look backward and forward from this moment in James's career to examine how his representations of mind and body develop and evolve.

Such broad exploration across vast divides of time and culture should not only teach us about varied understandings of nature but also encourage self-consciousness as we form our own conceptions of what nature is and how we ought best to interact with and in it. They will also work in teams to lead creative writing workshops in the Lancaster community. Readings from a variety of traditions, periods, disciplines and genres to discover diverse assumptions about nature and humanity’s relation to it.

Naipaul. Readings from both Western and non-Western cultures, though with emphasis on the British and Euro-American traditions. Students will write and significantly revise two or more short stories. When we read a novel, we expect to feel something. (Post-1800)   (H) Eighteenth Century British Literature. Participants will read and discuss their own and each other’s theses-in- progress.

… (Post-1800.) Some issues we may consider: literary constructions of mind and self, early twentieth-century gender roles, WWI, Irish independence, mass entertainment, Futurism, Imagism, and bodies/machines. Mill and Florence Nightingale, Tennyson’s poetic reinventions of myth, and Conrad’s modernist novel, Heart of Darkness. Contemporary Queer Poetry & Poetics. Studying literature and practicing creative writing develop in us obvious skills—skills of reading, writing, analysis, creativity and critical thinking—but they also enable us to engage with the rich diversity of human experience. Thurgood Marshall College Developing the Scholar and Citizen Choosing Your Significant Writing Course Last updated: May 18, 2020 A course with significant writing is defined as “that writing activity in English which is performed outside of the classroom, judged by the instructor to be relevant and appropriate to the discipline and/or course content and … This course will examine the current state of queer poetry and a variety of critical theories as they pertain to the contemporary literary landscape. In this course, we will explore how this literature grapples with issues of race, gender, nationalism, independence, decolonization, the ethics of violence, the importance of vernacular expression, and the formation of a literary tradition. best top new … Core I & Core II Listing, Fall 2019 (AUG 26-DEC 13) Critical Thinking Multicultural International Writing Intensive Communication Composition Mathematics Natural Science (II) Social Science (II) Humanities Fine Arts Literature NOTE: Checkboxes are not all inclusive. The course explores the development of medieval attitudes and themes in a variety of forms and genres, including poetry, prose, and drama. As readers, we will be interested in the ways people write about science, and, as writers, we will try to put some of these principles into practice. Huntington, WV 25755 Du Bois introduces two concepts—the “veil” and “double-consciousness”—to explain the black experience in America. Texts from the eighteenth-century Atlantic world raise a number of related questions: What constitutes individual character: reputation? Independent study directed by the English staff. In The Souls of Black Folk (1903), the African American writer W. E. B.